ALL OF OUR SCRIPT READERS ARE ACTUAL, WORKING SCREENWRITERS.
Anyone can claim to be a good script reader, but not everyone can make it as a screenwriter in Hollywood. Which is why every single one of our readers are working, professional screenwriters who write for the film and television industry, today. Not 20 years ago, but right this minute.
The majority of online script reading services are made up of out-of-work producers, studio readers, or development executives. But not at Please Read My Script. Here, our readers are legitimate screenwriters who all went through a MFA film and/or screenwriting program and have successfully transitioned from the screenwriting education world into the real world of working as paid screenwriters. On top of this, nearly every reader is an active member of the Writer's Guild of America-West (WGA-W), which we assure you, cannot be said by most script reading services.
This is because many of our competitors consist of readers who are actually just former production and development assistants and coverage readers, who spent years reading hundreds of scripts for production companies and studios but surprise... they've never actually written or sold one completed script, themselves. Now who wants to get notes from someone who has never even sold a script? Or worse, doesn't even write scripts as a day job? Not us.
Which is why Please Read My Script stands out as the premiere online script reading service, offering a unique, personal, real-world experience of having your script read by screenwriters who write legitimately write scripts for a living. Working with some of the best studios and production companies around (e.g., Universal, Amblin, Filmnation, Focus Features, Ivanhoe and more). With our premium script reading service, you'll get detailed notes on how to turn your script from good to great, from people who write scripts for a living.
OUR READERS WRITE & READ FOR SOME OF HOLLYWOOD'S BIGGEST COMPANIES
Meet Our Readers...
I'm a feature writer who has sold pitches and written scripts for Universal, Ivanhoe Pictures and Amblin Entertainment for more than 7 years. I got my big break when a script I wrote landed on Franklin Leonard's annual Hollywood Black List.
I'm a comedy TV writer who has sold pitches to J.J. Abrams, and written on everything from Canadian television to a variety of digital streaming platforms. I got my big break when a short I wrote at film school was made and Kate Mara starred as the lead... she was AMAZING!
I'm a TV and feature writer who got my initial start on a SYFY show called HELIX six years ago. Since then, I've adapted three memoirs into film scripts, and am currently in pre-production on a feature I wrote with a French director.
I'm Asian-American, a mother of two, and yes, I still find time to write scripts (so if I can do it, you can too). After a decade at a job I hated, I re-started my life and went to UCLA film school to pursue a MFA in Screenwriting. I'm so happy I did. Now I write scripts that don't all suck.
I used to be an engineer but now I'm a TV/feature writer who pens gritty dramas, thrillers, and everything else in between. I have my MFA in Screenwriting and have won numerous awards for my scripts. Essentially, I'm the writer friends go to when they're applying to a script contest.